1.请问哪个平台可以免费在线收看或高速迅雷下载爱情,奇幻《死神假期》？
电影天堂网网友：《死神假期》免vip在线观看地址：http://www.myfaxoa.com/voddetail/132683.html
2.《死神假期》是什么时候上映/什么时候开播的？
3.《死神假期》都有哪些演员？
爱奇艺网友：弗雷德里克·马奇,伊夫琳·维纳布尔,盖伊·斯坦丁,凯瑟琳·亚历山大,吉尔·帕特里克,凯瑟琳·霍华德,肯特·泰勒,亨利·崔佛斯,G·P·亨特利,莫洛尼·奥尔森,赫克托·萨尔诺,菲利普斯·斯莫利,Helen,Westley,Anna,De,Linsky,Otto,Hoffman,Frank,Yaconelli
4.爱情,奇幻《死神假期》有多少集？
电影吧网友：现在是全集完结
5.手机版免费在线点播《死神假期》有哪些网站？
6.《死神假期》每天什么时候播出？
风车动漫网友网友：《死神假期》于2023/09/20 13:51:25正式开播，动漫之家每天19点45分抢先播放VIP剧集
7.《死神假期》评价怎么样？
豆瓣网友：目前该片在豆瓣的评分中等较好，分数为6.0分，具体评分细节可以查看豆瓣评分
8.《死神假期》剧情介绍？
【动漫之家】-电影网大全www.myfaxoa.com第一时间收录《死神假期》并提供免费在线观看。死神假期上映于1934年(爱情,奇幻)，是一部美国制片作品，由弗雷德里克·马奇,伊夫琳·维纳布尔,盖伊·斯坦丁,凯瑟琳·亚历山大,吉尔·帕特里克,凯瑟琳·霍华德,肯特·泰勒,亨利·崔佛斯,G·P·亨特利,莫洛尼·奥尔森,赫克托·萨尔诺,菲利普斯·斯莫利,Helen,Westley,Anna,De,Linsky,Otto,Hoffman,Frank,Yaconelli等领衔主演。影片(剧)类型为爱情,奇幻片，对白语言为英语。喜欢动漫之家收集的电视剧电影在线免费看的网友们，欢迎分享给身边的朋友，顺祝您观影愉快！
以下为死神假期剧情简介：影片讲述
Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson
If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.
[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.
To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.
More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.
(Howard Schumann, talkingpix.co.uk)
In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.
(Dennis Schwartz, homepages.sover.net)
I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.
(Dave Sindelar, scifilm.org)
See also the remake: Death Takes A Holiday (1971)
