1.请问哪个平台可以免费在线收看或高速迅雷下载剧情《没有和解》？

电影天堂网网友：《没有和解》免vip在线观看地址：http://www.myfaxoa.com/voddetail/149774.html

2.《没有和解》是什么时候上映/什么时候开播的？

天堂影院网友：1965年，详细日期可以去百度百科查一查。

3.《没有和解》都有哪些演员？

爱奇艺网友：Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,Heiner,Braun,Georg,Zander,Lutz,Grubnau,若阿内斯·巴尔斯基,保罗·埃塞尔

4.剧情《没有和解》有多少集？

电影吧网友：现在是全集完结

5.手机版免费在线点播《没有和解》有哪些网站？

手机电影网网友：星辰影院

6.《没有和解》每天什么时候播出？

风车动漫网友网友：《没有和解》于2024/09/19 23:30:36正式开播，动漫之家每天19点45分抢先播放VIP剧集

7.《没有和解》评价怎么样？

豆瓣网友：目前该片在豆瓣的评分中等较好，分数为2.0分，具体评分细节可以查看豆瓣评分

8.《没有和解》剧情介绍？

  【动漫之家】-电影网大全www.myfaxoa.com第一时间收录《没有和解》并提供免费在线观看。没有和解上映于1965年(剧情)，是一部其它制片作品，由Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,Heiner,Braun,Georg,Zander,Lutz,Grubnau,若阿内斯·巴尔斯基,保罗·埃塞尔等领衔主演。影片(剧)类型为剧情片，对白语言为其它。喜欢动漫之家收集的电视剧电影在线免费看的网友们，欢迎分享给身边的朋友，顺祝您观影愉快！
  以下为没有和解剧情简介：影片讲述The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
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